The Unhurried Frame Sofa
Estimated delivery timelines are displayed on individual product pages and are provided in good faith.
Delivery timeframes may vary due to, but not limited to:
- Production Schedules
- Supplier Timelines
- Quality Control Processes
- Customs Clearance
- Carrier Availability
- External or force-majeure events beyond our control
All delivery dates are estimates only and are not guaranteed delivery dates.
Production Timeline for Extra Large Items: 12 to 18 Business Days
General delivery guidance (post-production):
- Extra-large or oversized items: approx. 4–7 weeks
Customers may contact us at any time for an update on order status.
For more details head to our Shipping Policy
Made-to-Order & Project Items:
Many Panache Artistry products are made to order (look for the TAG on the product page), including items that are:
- manufactured specifically after an order is placed
- produced as part of a batch or project run
- not held as finished stock
For such items:
- production typically begins shortly after order confirmation
- orders may be subject to cancellation restrictions once production has commenced, in accordance with our Returns & Cancellations Policy and your statutory rights
- delivery timelines may change due to production or logistics factors
Made-to-order and project items are supplied in accordance with our Returns & Cancellations Policy and your statutory rights.
Most sofas hide their bones beneath upholstery, a skirt of fabric pretending the wood beneath isn't doing all the work. This one doesn't bother with the pretence. The frame is teak, turned and rounded by hand in the workshops of Jodhpur, left fully visible, at the arms, along the base, under every cushion, so the wood becomes as much a part of the silhouette as the seat itself. The fabric sits within it rather than over it, a soft, undyed linen the color of unbleached cotton, cushions resting like trays inside a frame built to hold them. Seen from the side, against a plain plaster wall or a poured-concrete floor, its open structure reads as architecture first, comfort second. In a Hampstead study, or a Richmond room where the garden comes in through tall windows, it sits low and honest, asking nothing to be hidden.