The Flower at the Crest Sofa
Estimated delivery timelines are displayed on individual product pages and are provided in good faith.
Delivery timeframes may vary due to, but not limited to:
- Production Schedules
- Supplier Timelines
- Quality Control Processes
- Customs Clearance
- Carrier Availability
- External or force-majeure events beyond our control
All delivery dates are estimates only and are not guaranteed delivery dates.
Production Timeline for Extra Large Items: 12 to 18 Business Days
General delivery guidance (post-production):
- Extra-large or oversized items: approx. 4–7 weeks
Customers may contact us at any time for an update on order status.
For more details head to our Shipping Policy
Made-to-Order & Project Items:
Many Panache Artistry products are made to order (look for the TAG on the product page), including items that are:
- manufactured specifically after an order is placed
- produced as part of a batch or project run
- not held as finished stock
For such items:
- production typically begins shortly after order confirmation
- orders may be subject to cancellation restrictions once production has commenced, in accordance with our Returns & Cancellations Policy and your statutory rights
- delivery timelines may change due to production or logistics factors
Made-to-order and project items are supplied in accordance with our Returns & Cancellations Policy and your statutory rights.
Some carving stops being decoration and starts being a kind of memory, a hand repeating a shape it has carved a hundred times before, until the flower at the top rail looks almost grown rather than cut. This settee carries that history. The frame is solid wood, hand-carved in the workshops of Jodhpur into soft floral scrolls along the crest and apron, the kind of detail only noticed up close, on a second look. Cane is woven into the back and arms, left open and pale against the darker wood. Across the seat, a botanical print in faded sage drifts with branches and small birds, the fabric doing quietly what the carving does in wood. Set beneath a Georgian cornice or against panelled walls, its silhouette reads as inherited rather than designed. In a Notting Hill morning room, it sits the way old furniture does, gently, and in no hurry at all.