A line of warm light, drawn vertically against the wall. The Linea Maris holds itself apart from the surface on a single brass bracket, floating, glowing its full length from end to end, capped at both extremities in brushed brass that catches the warmth and holds it there for a moment longer than it should.
There is a precision to the Linea that rewards a second look. The cylinder glows completely and evenly, no hot spot at the centre, no fade at the ends. The brass caps are not decorative afterthoughts; they are the piece's full stop, the detail that separates it from every other stone cylinder in the range and signals to anyone who notices that this is something made with genuine care.
The single midpoint bracket is equally deliberate. It holds the cylinder at its waist, leaving both ends free, the stone appears to extend beyond its own support, as though it would float regardless. Against a pale wall, the effect is of a warm vertical stripe of light that belongs entirely to the space around it.
Available in three lengths, each one suited to a different scale of room and a different kind of wall. The 40cm belongs beside a bed or within a bathroom. The 50cm anchors a living room or hotel suite. The 60cm is the piece for a space that asks its lighting to be genuinely extraordinary.









