Diptyque Console Table, Butterscotch
Estimated delivery timelines are displayed on individual product pages and are provided in good faith.
Delivery timeframes may vary due to, but not limited to:
- Production Schedules
- Supplier Timelines
- Quality Control Processes
- Customs Clearance
- Carrier Availability
- External or force-majeure events beyond our control
All delivery dates are estimates only and are not guaranteed delivery dates.
Production Timeline for Large Items: 7 to 12 Business Days
General delivery guidance (post-production):
- Large items: approx. 3 – 6 weeks
Customers may contact us at any time for an update on order status.
For more details head to our Shipping Policy
Made-to-Order & Project Items:
Many Panache Artistry products are made to order (look for the TAG on the product page), including items that are:
- manufactured specifically after an order is placed
- produced as part of a batch or project run
- not held as finished stock
For such items:
- production typically begins shortly after order confirmation
- orders may be subject to cancellation restrictions once production has commenced, in accordance with our Returns & Cancellations Policy and your statutory rights
- delivery timelines may change due to production or logistics factors
Made-to-order and project items are supplied in accordance with our Returns & Cancellations Policy and your statutory rights.
There is a technique in stonework called book-matching , the opening of a marble slab to reveal the mirror-image veining within, two geological halves placed in perfect conversation. The Diptyque console table builds its entire form upon that technique. Two wide butterscotch marble panels, their warm honey and grey veining mirrored in deliberate symmetry, support a slim marble top in a V-configuration of considerable architectural presence. The result is a surface that is simultaneously functional and deeply, quietly extraordinary , a piece of the geological world arranged with the care of something curated rather than manufactured. Place it where a wall deserves a surface as considered as what rests upon it.