No two installations of the Cyris are the same. Five LED rings, two large, three small, each one rotatable independently through 90 degrees, mounted on a cross-axis bronze framework that spans 57cm across and 62.5cm tall. The composition is yours to finish. The architecture is already done.
The Cyris occupies the space between lighting and installation art, and it does so deliberately. At this scale, with this level of compositional flexibility, it is not a wall light that decorates a room. It is a piece that organises one. The rings can face forward, angle inward, or tilt outward, each rotation changes the shadow it casts, the direction of its glow, and the relationship between the five elements. A designer can dial in the configuration during installation and arrive at something that belongs entirely to that specific space and no other.
The framework is a composition in its own right, a vertical spine with a horizontal arm, circular wall plate at the base, the rings distributed at varying heights with an asymmetry that feels considered rather than accidental. In brushed antique bronze throughout, it reads as serious and warm simultaneously, a material that ages well and never dates.
This is the piece for a double-height living room, a hotel lobby feature wall, a private members' club entrance, or any space that has earned the right to something this ambitious.