

An Occasional Repose Chair
Estimated delivery timelines are displayed on individual product pages and are provided in good faith.
Delivery timeframes may vary due to, but not limited to:
- Production Schedules
- Supplier Timelines
- Quality Control Processes
- Customs Clearance
- Carrier Availability
- External or force-majeure events beyond our control
All delivery dates are estimates only and are not guaranteed delivery dates.
Production Timeline for Large Items: 7 to 12 Business Days
General delivery guidance (post-production):
- Large items: approx. 3 – 6 weeks
Customers may contact us at any time for an update on order status.
For more details head to our Shipping Policy
Made-to-Order & Project Items:
Many Panache Artistry products are made to order (look for the TAG on the product page), including items that are:
- manufactured specifically after an order is placed
- produced as part of a batch or project run
- not held as finished stock
For such items:
- production typically begins shortly after order confirmation
- orders may be subject to cancellation restrictions once production has commenced, in accordance with our Returns & Cancellations Policy and your statutory rights
- delivery timelines may change due to production or logistics factors
Made-to-order and project items are supplied in accordance with our Returns & Cancellations Policy and your statutory rights.
A chair without arms asks something different of a room, no boundary to lean into, just the frame itself, doing the work of holding you. The legs cross at a diagonal rather than meeting the floor straight on, walnut cut clean and left bare where most chairs would cover it, the angle alone giving the whole piece its quiet sense of motion. Cushions sit loose atop the frame, soft and full, asking to be sunk into rather than perched on. In Jodhpur, hands shaped that walnut joint by joint, the diagonal cut and fitted until the geometry held its own weight. Against a plastered wall or beneath a gallery-hung print, its low, open form reads as line drawing rather than furniture. Settled beside a Chelsea bookshelf, or angled into the corner of a hotel reading room, this is the chair that earns a second glance before anyone sits in it.





