Three panels of fabric, each one a different shape, each one free at its edges, layered around a single point of light until the whole thing becomes something that has no name in the language of conventional lighting. A cloud. A flower. An exhale, held at the moment of its fullest release.
There is no rigid form to the Avelis. The panels are fabric, soft, translucent, warm, and they overlap one another in a composition that the maker arranges and the light completes. Where two panels meet, the warmth deepens. At the single-layer edges, it softens to almost nothing. The result is a pendant with depth despite being only 23cm tall, a quality of light that shifts with every degree of rotation, every hour of the day, every angle of the room it hangs in.
Suspended from a single black cord, the Avelis appears to float rather than hang, its organic silhouette reading against a ceiling the way a leaf reads against the sky. From directly below, three overlapping forms in warm ivory. From the side, an almost flat profile that makes the depth of the light above all the more surprising when you look up into it.
It is the most free-form piece in the Panache range, and the one that makes a room feel most completely itself. For living rooms where the ceiling light should feel like a choice rather than an obligation, and for hotel suites where the atmosphere begins the moment a guest looks up.